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・ Johannes Salmonsson
・ Johannes Sandven
・ Johannes Sass
・ Johannes Sauer
・ Johannes Schaaf
・ Johannes Schefferus
・ Johannes Schenck
・ Johannes Schenck von Grafenberg
・ Johannes Scherbius
・ Johannes Scherg
・ Johannes Scherr
・ Johannes Schettel
・ Johannes Scheubel
・ Johannes Scheuter
・ Johannes Schilling
Johannes Schlaf
・ Johannes Schmidt
・ Johannes Schmidt (biologist)
・ Johannes Schmidt (linguist)
・ Johannes Schmidt (SS-member)
・ Johannes Schmitt
・ Johannes Schmoelling
・ Johannes Schneider
・ Johannes Schultz
・ Johannes Schultz (composer)
・ Johannes Schulz
・ Johannes Schulze (1786-1869)
・ Johannes Schöner
・ Johannes Schöner globe
・ Johannes Schöning


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Johannes Schlaf : ウィキペディア英語版
Johannes Schlaf

Johannes Schlaf (June 21, 1862 in Querfurt – February 2, 1941 in Querfurt) was a German playwright, author, and translator and an important exponent of Naturalism. As a translator he was important for exposing the German-speaking world to the works of Walt Whitman, Émile Verhaeren and Émile Zola and is known as a founder of the "Whitman Cult" in Germany. His literary achievements lie foremost in the scenic-dialogue innovations of "sequential naturalism" and in the formalization of literary impressionism. He also contributed to the emergence of the "intimate theater."
Some of his poems have been set to music by composers Alban Berg and Arnold Schoenberg.
He is sometimes mistakenly cited for coining the term "The Third Reich" in relation to Nazism because of his 1906 novel by that name. The Nazi use of the term comes from a 1923 novel, Das Dritte Reich by Arthur Moeller van den Bruck.
==Childhood==
Schlaf was the son of a commercial clerk in Querfurt, a town in Saxony-Anhalt. Because his family lived in cramped quarters, he lived temporarily with his grandparents. His Grandmother, an educated woman, supported him in his passion for art and literature at an early age. In an autobiographical sketch from 1902, Schlaf claimed to written verses and puppet shows at the age of 12 and short stories while an adolescent. He also showed a talent for drawing. In 1875, Schlaf's father took a job in a construction business in the emerging industrialism of nearby Magdeburg. Schlaf returned to his family where his father enforced a strict regime, and where Schalf felt more fear than affection.

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